The subtitle really explains this simple poem - it tells of a man from the Caribbean, who lives in London but always thinks of his home.
The poem opens with daybreak, as the island man seems to hear the sound of surf - and perhaps to imagine he sees it, since we are told the colour. This is followed by simple images:
the fishermen pushing their boat out,
the sun climbing in the sky,
the island, emerald green.
The island man always returns to the island, in his mind, but in thinking of it he must “always” come “back” literally to his immediate surroundings - hearing the traffic on London's North Circular Road.
Grace Nichols ends the poem with the image of coming up out of the sea - but the reality is the bed, and the waves are only the folds of a “crumpled pillow”. The last line of the poem is presented as the harsh reality.
Many Afro-Caribbeans in Britain live a split existence. They may yearn for the warmth and simple pleasures of the islands they think of as home, yet they find themselves, with friends and family, in a cold northern climate. This poem neatly captures this division - between a fantasy of the simple life and the working daily reality. But perhaps it is not really a serious choice - if one were to stay on the island, then one would bring one's problems there, too. In fact, this man is like most other British people - he does not relish work, but faces up to it.
After reading the whole poem, one sees that it is ambiguous - the island is both in the Caribbean and Great Britain.
Grace Nichols also challenges us to think about where home really lies. Is it
the place we dream about,
the place where we, our friends and family live, or
the place where we do our work?
Monday, 17 May 2010
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