Monday 12 July 2010

When I Say I've Got Nothing To Do on the Eng Lit A-Level Course

• Do my homework
• Update my thematic highlighting (Identity, Perception, Gender, Privacy Vs. Public, Expression)
• Work on my coursework
• Practice past paper questions
• Read outside of the central texts…
PROSE FICTION

Margaret Atwood - The Handmaid’s Tale
Angela Carter - Wise Children *
Kiran Desai - Hullaballoo in the Guava Orchard *
Roddy Doyle - The Woman Who Walked into Doors *
Michael Frayn - Spies *
David Guterson - Snow Falling on Cedars *
Toni Morrison - Beloved *
Alice Walker - The Color Purple
Chinua Achebe - Things Fall Apart (Penguin, 1958)
James Baldwin - Go Tell it on the Mountain (Penguin)
Nadine Gordimer - July’s People (Bloomsbury, 1981)
Radclyffe Hall - The Well of Loneliness + (Virago, 1928)
Zora Neale Hurston - Their Eyes Were Watching God + (Virago, 1937)
Andrea Levy Small Island * (Headline, 2004)
Patrick McCabe Breakfast on Pluto * (Picador, 1998)
Anne Michaels Fugitive Pieces * (Bloomsbury, 1996)
Arundhati Roy The God of Small Things * (Harper Perennial, 1997)
Robert Tressell The Ragged-Trousered Philanthropists + (Flamingo, 1914)
Irvine Welsh Trainspotting * (Vintage, 1993)
Jeanette Winterson Oranges are not the only fruit (Vintage, 1984)
Richard Wright Native Son + (Vintage, 1940)
Kurt Vonnegut Slaughterhouse 5 (Vintage, 1969)

PROSE NON-FICTION (Autobiographies and Biography, Diaries)

Maya Angelou - Autobiography, especially I Know Why The Caged Bird Sings (Virago,1969)
Diana Souhami The Trials of Radclyffe Hall * (Virago, 1999)

Memoirs and Interviews

Silvia Calamati Women’s stories from the North of Ireland * (Beyond the Pale Publications, 2002)
Bobby Sands Skylark Sing Your Lonely Song (Mercier Press, 1982)
Malcolm X Malcolm X Talks to Young People (Pathfinder, 1964-1965)
Alice Walker The Same River Twice: Honoring the Difficult * (Phoenix, 1996)

Travelogues

Salman Rushdie -The Jaguar Smile: A Nicaraguan Journey (Vintage, 1987)

History and cultural commentary, essays and speeches

David Beresford Ten Men Dead: The Story of the 1981 Irish Hunger Strike (Harper Collins,1987)

Beverley Bryan, Suzanne Scafe,
Stella Dadzie
Germaine Greer The Female Eunuch (Harper Perennial, 1970)
Martin Luther King Jr. I Have A Dream: Writings And Speeches That Changed The World (Harper, 1956-68)
Adhaf Soueif
Amrit Wilson

Laws

Parliament - ‘Section 28 of the Education Act’ 1988

Literary Criticism

Ralph Ellison
Dolly A. McPherson
Kate Millet
Amrit Wilson
Richard Wright
Jeremy Hawthorn ed.

DRAMA

Brendan Behan - The Hostage (Methuen, 1958)
Sudhar Bhuchar - Child of the Divide * (Methuen Modern Plays)
Jim Cartwright - The Road (Methuen Modern Plays, 1986)
Caryl Churchill - All plays
Claire Dowie - Why is John Lennon Wearing a Skirt? * (Methuen Modern Plays, 1996)
Brian Friel - Dancing at Lughnasa * (Faber, 1990)
Lorraine Hansberry - A Raisin in the Sun (Methuen Modern Plays, 1959)
Sarah Kane - Complete Plays * (Methuen Drama, 1998-2006)
Tony Kushner - Angels in America * (Nick Herne Books, 1992)
Martin McDonagh - Beauty Queen of Leenane * (Methuen, 1996)
Sean O’Casey Three Dublin Plays: Juno and the Paycock + (1924), The Plough and the Stars + (1926), Shadow of a Gunman + (1923) (Faber)
Arthur Miller - Death of a Salesman (Penguin, 1949)
Ntozake Shange - Shange Plays 1- (Includes For Colored Girls Who Have Considered Suicide When the Rainbow is Enough)
Timberlake Wertenbaker - Our Country’s Good (Methuen, 1988)
Tennessee Williams - A Streetcar Named Desire (Methuen, 1947)
International Connections (contributor Jackie Kay) - New Plays for Young People * (Faber 2003)




POETRY

Simon Armitage Dead Sea Poems * (Faber, 1995)
W.H Auden e.g ‘The Quarry’, ‘Funeral Blues’, ‘Refugee Blues’ + (1930s)
Gillian Clarke Letter From a Far Country (1985)
Carol Ann Duffy The Other Country * (Anvil, 1990)
Allan Ginsberg Howl (City Lights Pocket Poet Series, 1956)
Jackie Kay Life Mask * (Bloodaxe Books, 2005)
Liz Lockhead Collected Poems + (Vintage, 1930-1960)
Audre Lorde Dreaming Frankenstein and Collected Poems (Polygon, 1984)
Grace Nichols The Fat Black Woman’s Poems (Virago, 1984)
Adrienne Rich
Lemn Sissay
Gertrude Stein Tender Buttons + (Dover, 1914)

Alice Walker
Benjamin Zephaniah Too Black, Too Strong * (Bloodaxe Books, 2001)


TEXTS IN TRANSLATION

Novels

Isabel Allende - The House of the Spirits (Chile/Spanish) (Black Swan, 1985)
Alexandra Kollontai - Love of Worker Bees + (USSR/Russian) (Virago, 1930)
Manuel Puig - Kiss of the Spider Woman (Argentina/Spanish) (Vintage, 1976)
Alexander Solzenichen

Poetry

Pablo Neruda

Drama

Bertolt Brecht - Mother Courage and her Children + (German) (Methuen, 1940)
Federico Garcia Lorca - The House of Bernarda Alba + (1936), Yerma + (1934), Blood Wedding + (1933) (Spanish) (Penguin)

Non fiction autobiography/diary/ travelogue

Anne Frank The Diary of a Young Girl (Dutch) (Penguin, 1947)
Che Guevara The Motorcycle Diaries (Argentina/Spanish) (Harper Perennial, 1952)
Nawal al-Saadawi Memoirs from the Women’s Prison (Egypt/Arabic) (1984)

Langston Hughes Poetry

The Negro Speaks of Rivers

I've known rivers:
I've known rivers ancient as the world and older than the
flow of human blood in human rivers
My soul has grown deep like the rivers.

I bathed in the Euphrates when dawns were young
I built my hut near the Congo and it lulled me to sleep.
I looked upon the Nile and raised the pyramids above it.
I heard the singing of the Mississippi when Abe Lincoln
went down to New Orleans, and I've seen its muddy
bosom turn all golden in the sunset

I've known rivers:
Ancient, dusky rivers.

My soul has grown deep like the rivers.
Freedom’s Plow
When a man starts out with nothing,
When a man starts out with his hands
Empty, but clean,
When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,
See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood,
To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help,
A community of hands to help-
Thus the dream becomes not one man’s dream alone,
But a community dream.
Not my dream alone, but our dream.
Not my world alone,
But your world and my world,
Belonging to all the hands who build.

A long time ago, but not too long ago,
Ships came from across the sea
Bringing the Pilgrims and prayer-makers,
Adventurers and booty seekers,
Free men and indentured servants,
Slave men and slave masters, all new-
To a new world, America!

With billowing sails the galleons came
Bringing men and dreams, women and dreams.
In little bands together,
Heart reaching out to heart,
Hand reaching out to hand,
They began to build our land.
Some were free hands
Seeking a greater freedom,
Some were indentured hands
Hoping to find their freedom,
Some were slave hands
Guarding in their hearts the seed of freedom,
But the word was there always:
Freedom.

Down into the earth went the plow
In the free hands and the slave hands,
In indentured hands and adventurous hands,
Turning the rich soil went the plow in many hands
That planted and harvested the food that fed
And the cotton that clothed America.
Clang against the trees went the ax into many hands
That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls
That moved and transported America.
Crack went the whips that drove the horses
Across the plains of America.
Free hands and slave hands,
Indentured hands, adventurous hands,
White hands and black hands
Held the plow handles,
Ax handles, hammer handles,
Launched the boats and whipped the horses
That fed and housed and moved America.
Thus together through labor,
All these hands made America.

Labor! Out of labor came villages
And the towns that grew cities.
Labor! Out of labor came the rowboats
And the sailboats and the steamboats,
Came the wagons, and the coaches,
Covered wagons, stage coaches,
Out of labor came the factories,
Came the foundries, came the railroads.
Came the marts and markets, shops and stores,
Came the mighty products moulded, manufactured,
Sold in shops, piled in warehouses,
Shipped the wide world over:
Out of labor-white hands and black hands-
Came the dream, the strength, the will,
And the way to build America.
Now it is Me here, and You there.
Now it’s Manhattan, Chicago,
Seattle, New Orleans,
Boston and El Paso-
Now it’s the U.S.A.

A long time ago, but not too long ago, a man said:
ALL MEN ARE CREATED EQUAL--
ENDOWED BY THEIR CREATOR
WITH CERTAIN UNALIENABLE RIGHTS--
AMONG THESE LIFE, LIBERTY
AND THE PURSUIT OF HAPPINESS.
His name was Jefferson. There were slaves then,
But in their hearts the slaves believed him, too,
And silently too for granted
That what he said was also meant for them.
It was a long time ago,
But not so long ago at that, Lincoln said:
NO MAN IS GOOD ENOUGH
TO GOVERN ANOTHER MAN
WITHOUT THAT OTHER’S CONSENT.
There were slaves then, too,
But in their hearts the slaves knew
What he said must be meant for every human being-
Else it had no meaning for anyone.
Then a man said:
BETTER TO DIE FREE
THAN TO LIVE SLAVES
He was a colored man who had been a slave
But had run away to freedom.
And the slaves knew
What Frederick Douglass said was true.

With John Brown at Harper’s Ferry, Negroes died.
John Brown was hung.
Before the Civil War, days were dark,
And nobody knew for sure
When freedom would triumph
"Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery,
Guarding in their hearts the seed of freedom,
The slaves made up a song:
Keep Your Hand On The Plow! Hold On!
That song meant just what it said: Hold On!
Freedom will come!
Keep Your Hand On The Plow! Hold On!
Out of war it came, bloody and terrible!
But it came!
Some there were, as always,
Who doubted that the war would end right,
That the slaves would be free,
Or that the union would stand,
But now we know how it all came out.
Out of the darkest days for people and a nation,
We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land,
And men united as a nation.

America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud,
Nor write them down on paper.
The people often hold
Great thoughts in their deepest hearts
And sometimes only blunderingly express them,
Haltingly and stumblingly say them,
And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there,
Always the trying to understand,
And the trying to say,
"You are a man. Together we are building our land."

America!
Land created in common,
Dream nourished in common,
Keep your hand on the plow! Hold on!
If the house is not yet finished,
Don’t be discouraged, builder!
If the fight is not yet won,
Don’t be weary, soldier!
The plan and the pattern is here,
Woven from the beginning
Into the warp and woof of America:
ALL MEN ARE CREATED EQUAL.
NO MAN IS GOOD ENOUGH
TO GOVERN ANOTHER MAN
WITHOUT HIS CONSENT.
BETTER DIE FREE,
THAN TO LIVE SLAVES.
Who said those things? Americans!
Who owns those words? America!
Who is America? You, me!
We are America!
To the enemy who would conquer us from without,
We say, NO!
To the enemy who would divide
And conquer us from within,
We say, NO!
FREEDOM!
BROTHERHOOD!
DEMOCRACY!
To all the enemies of these great words:
We say, NO!

A long time ago,
An enslaved people heading toward freedom
Made up a song:
Keep Your Hand On The Plow! Hold On!
The plow plowed a new furrow
Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody,
For all America, for all the world.
May its branches spread and shelter grow
Until all races and all peoples know its shade.
KEEP YOUR HAND ON THE PLOW! HOLD ON!

Mother to Son

Well, son, I'll tell you:
Life for me ain't been no crystal stair.
It's had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.
But all the time
I'se been a-climbin' on,
And reachin' landin's,
And turnin' corners,
And sometimes goin' in the dark
Where there ain't been no light.
So, boy, don't you turn back.
Don't you set down on the steps.
'Cause you finds it's kinder hard.
Don't you fall now—
For I'se still goin', honey,
I'se still climbin',
And life for me ain't been no crystal stair.

The Negro Mother

Children, I come back today
To tell you a story of the long dark way
That I had to climb, that I had to know
In order that the race might live and grow.
Look at my face -- dark as the night --
Yet shining like the sun with love's true light.
I am the dark girl who crossed the red sea
Carrying in my body the seed of the free.
I am the woman who worked in the field
Bringing the cotton and the corn to yield.
I am the one who labored as a slave,
Beaten and mistreated for the work that I gave --
Children sold away from me, I'm husband sold, too.
No safety , no love, no respect was I due.

Three hundred years in the deepest South:
But God put a song and a prayer in my mouth .
God put a dream like steel in my soul.
Now, through my children, I'm reaching the goal.

Now, through my children, young and free,
I realized the blessing deed to me.
I couldn't read then. I couldn't write.
I had nothing, back there in the night.
Sometimes, the valley was filled with tears,
But I kept trudging on through the lonely years.
Sometimes, the road was hot with the sun,
But I had to keep on till my work was done:
I had to keep on! No stopping for me --
I was the seed of the coming Free.
I nourished the dream that nothing could smother
Deep in my breast -- the Negro mother.
I had only hope then , but now through you,
Dark ones of today, my dreams must come true:
All you dark children in the world out there,
Remember my sweat, my pain, my despair.
Remember my years, heavy with sorrow --
And make of those years a torch for tomorrow.
Make of my pass a road to the light
Out of the darkness, the ignorance, the night.
Lift high my banner out of the dust.
Stand like free men supporting my trust.
Believe in the right, let none push you back.
Remember the whip and the slaver's track.
Remember how the strong in struggle and strife
Still bar you the way, and deny you life --
But march ever forward, breaking down bars.
Look ever upward at the sun and the stars.
Oh, my dark children, may my dreams and my prayers
Impel you forever up the great stairs --
For I will be with you till no white brother
Dares keep down the children of the Negro Mother.

The Bitter River
(Dedicated to the memory of Charlie Lang and Ernest Green, each 14 years old when lynched together beneath the Shubuta Bridge over the Chicasawhay River in Mississippi, October 12th, i942.)

There is a bitter river
Flowing through the South.
Too long has the taste of its water Been in my mouth.
There is a bitter river Dark with filth and mud.
Too long has its evil poison
Poisoned my blood.
I've drunk of the bitter river
And its gall coats the red of my tongue,
Mixed with the blood of the lynched boys
From its iron bridge hung,
Mixed with the hopes that are drowned there
In the snake-like hiss of its stream
Where I drank of the bitter river
That strangled my dream:
The book studied-but useless,
Tool handled-but unused,
Knowledge acquired but thrown away,
Ambition battered and bruised.
Oh, water of the bitter river
With your taste of blood and clay,
You reflect no stars by night,
No sun by day.
The bitter river reflects no stars-
It gives back only the glint of steel bars
And dark bitter faces behind steel bars:
The Scottsboro boys behind steel bars,
Lewis Jones behind steel bars,
The voteless share-cropper behind steel bars,
The labor leader behind steel bars,
The soldier thrown from a Jim Crow bus behind steel bars,
The 150 mugger behind steel bars,
The girl who sells her body behind steel bars,
And my grandfather's back with its ladder of scars
Long ago, long ago-the whip and steel bars -
The bitter river reflects no stars.
"Wait, be patient," you say.
"Your folks will have a better day."
But the swirl of the bitter river
Takes your words away.
"Work, education, patience
Will bring a better day-"
The swirl of the bitter river
Carries your "patience" away.
"Disrupter! Agitator!
Trouble maker!"you say.
The swirl of the bitter river
Sweeps your lies away.
I did not ask for this river
Nor the taste of its bitter brew.
I was given its water
As a gift from you.
Yours has been the power
To force my back to the wall
And make me drink of the bitter cup
Mixed with blood and gall.
You have lynched my comrades
Where the iron bridge crosses the stream,
Underpaid me for my labor,
And spit in the face of my dream.
You forced me to the bitter river
With the hiss of its snake-like song-
Now your words no longer have meaning-
I have drunk at the river too long:
Dreamer of dreams to be broken,
Builder of hopes to be smashed,
Loser from an empty pocket
Of my meagre cash,
Bitter bearer of burdens
And singer of weary song,
I've drunk at the bitter river
With its filth and its mud too long.
Tired now of the bitter river,
Tired now of the pat on the back,
Tired now of the steel bars
Because my face is black,
I'm tired of segregation,
Tired of filth and mud,
I've drunk of the bitter river
And it's turned to steel in my blood.
Oh, tragic bitter river
Where the lynched boys hung,
The gall of your bitter water
Coats my tongue.
The blood of your bitter water
For me gives back no stars.
I'm tired of the bitter river!
Tired of the bars!

Suicide
Ma sweet good man has
Packed his trunk and left.
Ma sweet good man has
Packed his trunk and left.
Nobody to loive me:
I’m gonna kill ma self.

I’m gonna buy me a knife with
A blade ten inches long.
Gonna buy a knife with
A blade ten inches long.
Shall I carve ma self or
That man that done me wrong?

‘Lieve I’ll jump in de river
Eighty-nine feet deep.
‘Lieve I’ll jump in de river
Eighty-nine feet deep.
Cause de river’s quiet
An’ a po’, po’ gal can sleep.

A Song For a Negro Wash Woman

Oh wash-woman,
Arms elbow-deep in white suds,
Soul washed clean,
Clothes washed clean, -
I have many songs to sing you
Could I but find the words.

Was it four o’clock or six o’clock on a winter afternoon,
I saw you wringing out the last shirt in Miss White
Lady’s kitchen? Was it four o’clock or six o’clock?
I don’t remember.

But I know, at seven one spring morning you were on
Vermont Street with a bundle in your arms going to
wash clothes.
And I know I’ve seen you in a New York subway train in
the late afternoon coming home from washing clothes.

Yes, I know you, wash-woman.
I know how you send your children to school, and high-
school and even college.
I know how you work and help your man when times are
hard.
I know how you build your house up from the wash-tub
and call it home.
And how you raise your churches from white suds for the
service of the Holy God.

And I’ve seen you singing, wash-woman. Out in the back-
yard garden under the apple trees, singing, hanging
white clothes on long lines in the sun-shine.
And I’ve seen you in church a Sunday morning singing,
praising your Jesus, because some day you’re going to
sit on the right hand of the Son of God and forget
you were ever a wash-woman. And the aching back
and the bundle of clothes will be unremembered
then.
Yes, I’ve seen you singing.

And for you,
O singing wash-woman,
For you, singing little brown woman,
Singing strong black woman,
Singing tall yellow woman,
Arms deep in white suds,
Soul clean,
Clothes clean, -
For you I have many songs to make
Could I but find the words.

Cubes
In the dark days of the broken cubes of Picasso
And in the days of the broken songs of the young men
A little too drunk to sing
And the young women
A little unsure of love to love –
I met on the boulevards of Paris
An African from Senegal.

God
Knows why the French
Amuse themselves bringing to Paris
Negroes from Senegal.

It’s the old game of the boss and the bossed,
boss and the bossed
amused
and
amusing,
worked and working,
Behind the cubes of black and white,
black and white,
black and white

But since it is the old game,
For fun
They give him the three old prostitutes of France –
Liberty, Equality, Fraternity –
And all three of ‘em sick
In spite of the tax to the government
And the legal houses
And the doctors
And the Marseillance.

Of course, the young African from Senegal
Carries back from Paris
A little more disease
To spread among the black girls in the palm huts.
He brings them a gift
disease –
From light to darkness
disease –
From the boss to the bossed
disease –
From the game of black and white
disease
From the city of broken cubes of Picasso
d
i
s
e
a
s
e

I, Too

I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I'll be at the table
When company comes.
Nobody'll dare
Say to me,
"Eat in the kitchen,"
Then.

Besides,
They'll see how beautiful I am
And be ashamed--

I, too, am America.

Ballard of the Killer Boy
Bernice said she wanted
A diamond or two.
I said, Baby,
I’ll get ‘em for you.

Bernice said she wanted
A Packard car.
I said, Sugar,
Here you are.

Bernice said she needed
A bank full of cash.
I said, honey,
That’s nothing but trash.

I pulled that job
In the broad daylight
The cashier trembled
And turned dead white.

He tried to guard
Other people’s gold.
I said to hell
With your stingy soul!

There ain’t no reason
To let you live!
I filled him full of holes
Like a sieve.

Now they’ve locked me
In the death house.
I’m gonna die!

Ask that woman –
She knows why.

Ballard of Sam Soloman

Sam Solomon said,
You may call out the Klan
But you must’ve forgot
That a Negro is a MAN.
It was down in Miami
A few years ago.
Negroes never voted but
Sam said, It’s time to go
To the polls election day
And make your choice known
Cause the vote is not restricted
To white folks alone.
The fact we never voted
In the past
Is something that surely
Ain’t due to last.
Sam Solomon called on
Every colored man
To qualify and register
And take a stand
And be up and out and ready
On election day
To vote at the polls,
Come what may.
The crackers said, Sam,
If you carry this through,
Ain’t no telling what
We’ll do to you.
Sam Soloman answered,
I don’t pay you no mind.
The crackers said, Boy,
Are you deaf, dumb, and blind?
Sam Solomon said, I’m
Neither one nor the other –
But we intend to vote
On election day, brother.
The crackers said, Sam,
Are you a fool or a dunce?
Sam Soloman said, A MAN
Can’t die but once.
They called out the Klan.
They had a parade.
But Sam Solomon
Was not afraid.
On election day
He led his colored delegation
To take their rightful part
In the voting of the nation.
The crackers thought
The Ku Klux was tough –
But the Negroes in Miami
Called their bluff.
Sam Solomon said,
Go get out your Klan –
But you must’ve forgotten
A Negro is a MAN.

God to Hungry Child

Hungry child I did not make this world for you.
You didn't buy any stock in my railroad.
You didn't invest in my corporation.
Where are your shares in standard oil?
I made the world for the rich
And the will-be-rich
and the have-always-been-rich.
Not for you,
hungry child.

Question [1]

When the old junk man Death
Comes to gather up our bodies
And toss them into the sack of oblivion,
I wonder if he will find
The corpse of a white multi-millionaire
Worth more pennies of eternity,
Than the black torso of
A Negro cotton-picker.

Goodbye Christ

Listen, Christ,
You did alright in your day, I reckon-
But that day’s gone now.
They ghosted you up a swell story, too,
Called it Bible-
But it’s dead now,
The popes and the preachers’ve
Made too much money from it.
They’ve sold you to too many
Kings, generals, robbers, and killers-
Even to the Tzar and the Cossacks,
Even to Rockefeller’s Church,
Even to THE SATURDAY EVENING POST.
You ain’t no good no more.
They’ve pawned you
Till you’ve done wore out.
Goodbye,
Christ Jesus Lord God Jehova,
Beat it on away from here now.
Make way for a new guy with no religion at all-
A real guy named
Marx Communist Lenin Peasant Stalin Worker ME-
I said, ME!
Go ahead on now,
You’re getting in the way of things, Lord.
And please take Saint Gandhi with you when you go,
And Saint Pope Pius,
And Saint Aimee McPherson,
And big black Saint Becton
Of the Consecrated Dime.
And step on the gas, Christ!
Move!
Don’t be so slow about movin?
The world is mine from now on-
And nobody’s gonna sell ME
To a king, or a general,
Or a millionaire.
A New Song
I speak in the name of the black millions
Awakening to action.
Let all others keep silent a moment
I have this word to bring,
This thing to say,
This song to sing:
Bitter was the day
When I bowed my back
Beneath the slaver's whip.
That day is past.
Bitter was the day
When I saw my children unschooled,
My young men without a voice in the world,
My women taken as the body-toys
Of a thieving people.
That day is past.
Bitter was the day, I say,
When the lyncher's rope
Hung about my neck,
And the fire scorched my feet,
And the oppressors had no pity,
And only in the sorrow songs
Relief was found.
That day is past.
I know full well now
Only my own hands,
Dark as the earth,
Can make my earth-dark body free.
O thieves, exploiters, killers,
No longer shall you say
With arrogant eyes and scornful lips:
"You are my servant,
Black man-
I, the free!"
That day is past-
For now,
In many mouths-
Dark mouths where red tongues burn
And white teeth gleam-
New words are formed,
Bitter
With the past
But sweet
With the dream.
Tense,
Unyielding,
Strong and sure,
They sweep the earth-
Revolt! Arise!
The Black
And White World
Shall be one!
The Worker's World!
The past is done!
A new dream flames
Against
The sun!

Poem to a Dead Soldier
Ice-cold passion
And a bitter breath
Adorned the bed
Of the youth and Death-
Youth, the young soldier
Who went to the wars
And embraced white Death,
the vilest of whores.

Now we spread roses
Over your tomb-
We who sent you
To your doom.
Now we make soft speeches
And sob soft cries
And through soft flowers
And utter soft lies.

We would mould you in metal
And carve you in stone,
Not daring to make statue
Of your dead flesh and bone,
Not daring to mention
The bitter breath
Nor the ice-cold passion
Of your love-night with Death.

We make soft speeches
We sob soft cries
We throw soft flowers,
And utter soft lies.
And you who were young
When you went to the wars
Have lost your youth now
With the vilest of whores.

White Man
Sure I know you!
You’re a White Man.
I’m a Negro.
You take all the best jobs
And leave us the garbage cans to empty
and
The halls to clean.
You have a good time in a big house at
Palm Beach
And rent us the back alleys
And the dirty slums.
You enjoy Rome –
And take Ethiopia.
White Man! White Man!
Let Louis Armstrong play it –
And you copyright it
And make the money.
You’re the smart guy, White Man!
You got everything!
But now,
I hear your name ain’t really White
Man.
I hear it’s something
Marx wrote down
Fifty years ago –
That rich people don’t like to read.
Is that true, White Man?
Is your name in a book
Called the Communist Manifesto?
Is your name spelled
C-A-P-I-T-A-L-I-S-T?
Are you always a White Man?
Huh?

Ku Klux

They took me out
To some lonesome place.
They said, “Do you believe
In the great white race?”

I said, “Mister,
To tell you the truth,
I’d believe in anything
If you’d just turn me loose.”

The white man said, “Boy,
Can it be
You’re a-standin’ there
A-sassin’ Me?”

They hit me in the head
And knocked me down.
And then they kicked me
On the ground.

A klansman said, “Nigger,
Look me in the face –
And tell me you believe in
The great white race.”

Jazzonia

Oh, silver tree!
Oh, shining rivers of the soul!

In a Harlem cabaret
Six long-headed jazzers play.
A dancing girl whose eyes are bold
Lifts high a dress of silken gold.

Oh, singing tree!
Oh, shining rivers of the soul!

Were Eve's eyes
In the first garden
Just a bit too bold?
Was Cleopatra gorgeous
In a gown of gold?

Oh, shining tree!
Oh, silver rivers of the soul!

In a whirling cabaret
Six long-headed jazzers play.

Cabaret

Does a jazz-band ever sob?
They say a jazz-band’s gay.
Yet as the vulgar dancers whirled
And the wan night wore away,
One said she heard the jazz-band sob
When the little dawn was grey.

Harlem Night Club

Sleek black boys in a cabaret.
Jazz-band, jazz-band,--
Play, plAY, PLAY!
Tomorrow....who knows?
Dance today!

White girls' eyes
Call gay black boys.
Black boys' lips
Grin jungle joys.

Dark brown girls
In blond men's arms.
Jazz-band, jazz-band,--
Sing Eve's charm!

White ones, brown ones,
What do you know
About tomorrow
Where all paths go?

Jazz-boys, jazz-boys,--
Play, plAY, PLAY!
Tomorrow....is darkness.
Joy today!

Madam’s Past History

My name is Johnson--
Madam Alberta K.
The Madam stands for business.
I'm smart that way.

I had a
HAIR-DRESSING PARLOR
Before
The depression put
The prices lower.

Then I had a
BARBECUE STAND
Till I got mixed up
With a no-good man.

Cause I had a insurance
The WPA
Said, We can't use you
Wealthy that way.

I said,
DON'T WORRY 'BOUT ME!
Just like the song,
You WPA folks take care of yourself--
And I'll get along.

I do cooking,
Day's work, too!
Alberta K. Johnson--
Madam to you.

Madam’s Calling Cards
I had some cards printed
The other day.
They cost me more
Than I wanted to pay.
I told the man
I wasn't no mint,
But I hankered to see
My name in print.
MADAM JOHNSON,
ALBERTA K.
He said, Your name looks good
Madam'd that way.
Shall I use Old English
Or a Roman letter?
I said, Use American.
American's better.
There's nothing foreign
To my pedigree:
Alberta K. Johnson--
American that's me.



Madam and the Army

They put my boy-friend
In 1-A.
But I can’t figure out
How he got that way.

He wouldn’t work,
Said he wasn’t able.
Just drug himself
To the dinner table.

Couldn’t get on relief
Neither WPA.
He wouldn’t even try
Cause he slept all day.

I nagged at him
Till I thought he was deaf –
But I never could get him
Above 4-F.

But Uncle Sam
Put him in 1-A
And now has taken
That man away.

If Uncle Sam
Makes him lift a hand,
Uncle’s really
A powerful man!

Madam and the Wrong Visitor

A man knocked three times.
I never seen him before.
He said, Are you Madam?
I said, What’s the score?

He said, I reckon
You don’t know my name,
But I’ve come to call
On you just the same.

I stepped back
Like he had a charm.
He said, I really
Don’t mean no harm.

I’m just Old Death
And I thought I might
Pay you a visit
Before night.

He said, You’re Johnson –
Madam Alberta K?
I said, Yes – but Alberta
Ain’t goin’ with you today!

No sooner had I told him
Than I awoke.
The doctor said, Madam,
You’re fever’s broke –

Nurse, put her on a diet,
And buy her some chicken.
I said, Better buy two –
Cause I’m still here kickin’!